Long ago, when I wrote longer short stories, I used the trope of open endings too often.
In the best of times, I had 2 or 3 readers. But, they were good. And, humoured me with their take.
I loved that. It gave my stories a new life.
I should add that I am not a saint and my first reaction to a different POV was in true social media style (too little thought in too little time) but when I allowed it to stew longer, I always appreciated their views and long interaction.
Here, let's look at 2 recent Malayalam movies.
First, #Unmadham.
I did not watch the whole movie due to personal reasons. That's irrelevant. Lots of viewers took it as a police procedural. If I am not mistaken, the writer had to clarify in an interview that the movie is not at all about that. That's what I liked most about the movie.
Second, #BethlehemKudumbaUnit.
There are 2 love stories in that. And, when the second half irritated me (again, for purely subjective reasons), I thought about why the girls chose their guys. That, of course, led to a thesis on love affairs. I am not too sure the writer-director thought the same or whether they would consider it relevant.
Here's an excerpt from that 'thesis'.
Love requires compatibility, chemistry, circumstances and some kind of catalyst (right moments?).
My POV: In this movie, the ladies fell in love due to their circumstances and a few right moments. Nothing else. Period.
Circumstances can/will change. But, 'good' people can't change. That's reflected in bad fiction and reality.
Isabel Allende in a TED talk said (rough quote from memory): 'Good characters do not make good fiction. They make good ex-spouses.'



















